Baggage out of the way – when it come to a fist fight I’m going to hold William Shatner’s jacket and hope JJ Abrams loses his footing every time. I’m a huge fan of the original Captain Kirk and Shatner’s career as a whole – right up to auctioning his kidney stone, YouTube and beyond. It was going to take a lot for me to swallow this reboot. I watched the trailers with increasing annoyance – Kirk seemed to be nothing more than a frat boy, bedding his crew and getting into brawls while a lot of CGI exploded around him. Meh. Then today I got soaked on the way to see the damn thing and my mood was pretty bleak.

About two hours later I’m suddenly looking forward to seeing the new Star Trek movie again, but this time with a large Friday night audience so we can cheer on the good bits. Of which there are many.

The film is still a good three weeks away from general release so I’m not going into any kind of detail regarding the plot or what this all means for the franchise, but there are a few things I can talk about.

Chris Pine is a revelation. He fills Kirk’s boots well and (without going full tilt as Ewan McGregor did with his Obi-Wan) still manages to inject just enough familiar James T into proceedings to nail the cockiness of the character without impersonating Shatner. It’s a horrible task to be given, but he more than rises to the challenge.

The new Spock is pitch perfect and while it’s these two who push the movie along I’ve got to hand it to Karl Urban for becoming almost non recognisable as Bones. I’ve always dug him as an actor (please go see Out of the Blue if you haven’t already) but this is his role. His performance just hints at the beginnings of the Kirk/Spock/Bones love triangle while bringing just enough contempt for his surroundings that it’s easy to recall the bearded McCoy’s return to the Enterprise back in The Motion Picture.

The rest of the main crew suffer to some degree in the same way they always have – there’s just not enough available screen time to develop them in the same way that can be done over a series. Instead we make do with some very broad strokes. They all come off well, but it’s a real shame that Uhura once again becomes trapped just answering the phone (when she’s not playing girlfriend). This is where the movie is in danger of looking out of touch with not a single strong female role in sight. Something that needs fixing.

There’s a hard lump of exposition to swallow about 3/4 of the way through, but its no worse than similar scenes in most high budget action flicks. Elsewhere the film continues the grand Star Trek tradition of having a pretty naff villain but that’s OK too. It’s a relief they don’t try and flesh him out more at the expense of the more familiar crew. As it is Chekov is relegated to nothing more than a comedy accent. Sulu at least gets to kick some ass. Simon Pegg pretty much plays Simon Pegg which is forgivable and adds some welcome laughter.

The special effects are flawless and the action scenes exceptional, but even more emphasis seems to have gone on the sound design – the move from a cacophony of screams, ripped and torn metal to the empty silence of space is brilliantly done and really ups the stakes following the now familiar space sequences of Firefly and Battlestar Galactica.

While the new crew are still finding their feet (or dying spectacularly) Abrams wisely leaves all the hero shots for the most familiar point of reference that fans and non fans alike have – the Enterprise herself. Every single shot of the ship is handled with respect leading up to her final entrance – the one that I’m guessing will receive a round of applause from most packed theatre audiences when it opens.

It’s here in particular that it becomes obvious that Abrams is a fan. What he’s accomplished is nothing short of releasing the idea of Star Trek from the trappings of the franchise – something that superhero movies from X Men through Spiderman to Batman have failed to do (Lucas being an idiot took his new trilogy even deeper into the mess he’s allowed to grow around a couple of half decent sci fi flicks). It’s quite a feat and if anything raises expectations even higher for the inevitable sequel.

With that there are myriad ways to fuck it up – but that same thing was said all the way way to this point with the new outing of Star Trek. From now on I’ll be giving the guy the benefit of the doubt.