STS-133 and what’s next

Awe: an overwhelming feeling of reverence, admiration, fear, etc., produced by that which is grand, sublime, extremely powerful, or the like

I was reading up on the Shuttle program at the beginning of the year and noticed that one of the very last launches was scheduled on my birthday. I mulled out loud via Twitter that it’d be very cool to see Discovery take off. One of the guys following me turned out to work for NASA and dropped me a line about organising just that.

If you need a reason to fall in love with Twitter there it is.

Now the September launch could easily get pushed back to October at this point so I’m trying to keep THE PLAN as flexible as possible. The very last flight is scheduled for November so I’ll be keeping that date in my back pocket, but Florida four months from now seems very doable. We’ll see.

After a life time of fictional space flight slamming my imagination all over the place I do tend to forget that the real thing is something to savour.

A major strand of the thinking behind space travel in the Slingers universe came from just how problematic breaking orbit can be and I’ve been working on something new that is a small love letter to the battered Shuttles and their continued resilience. It’s sad to think they’ll end up as museum pieces, but if having them on display reminds kids we need to get back up there then they’ll be continuing an important job even in retirement; to inspire awe.

There’s a chance that when Discovery reaches the Smithsonian’s National Air and Space Museum that Enterprise will be able to tour and once again fly on the back of a 747. That’s how the Shuttle as a concept was first revealed to me as a kid and it’s somehow fitting if it were to come full circle. It should also serve as a reminder that 1977 is in danger of making us here in the 21st century look decidedly old fashioned.

We can and we should do better. Anyway, staying in one place is not how we’re wired.

Mallory O’Brian: Do we really have to go to Mars?
Sam Seaborn: Yes.
Mallory O’Brian: Why?
Sam Seaborn: ‘Cause it’s next. ‘Cause we came out of the cave, and we looked over the hill and we saw fire; and we crossed the ocean and we pioneered the west, and we took to the sky. The history of man is hung on a timeline of exploration and this is what’s next.

The West Wing season two: ‘Galileo’ (2000)

Swimming with Sharks

I’ve been lucky enough to attend screenings in the presence of cast members before, but last week I had the unnerving experience of watching JAWS with honest-to-god actual sharks swimming only a few feet away.

This evening Sky Movies HD will be premiering Spielberg’s 1975 classic in high definition and as a run up to this event a small group of people were invited to a preview. I couldn’t begin to guess how many times I’ve seen this movie, but I’d have gone to see it on the big screen again anyway. It’s one of those rare movies that never seems to get old and I never ever tire of seeing it. That the Sky screening was taking place after hours in the depths of the London Aquarium right next to the shark tank was icing on the cake…

JAWS in HD is a thing of beauty. Bruce still holds his own against CGI upstarts that fade and out-date almost immediately while Amity and the water has never looked so inviting. I don’t truck with satellite or terrestrial transmissions myself (seems a little 20th century), but if you have the opportunity to tune in this evening around 8pm you will see the movie in all its crystal clear glory. Hopefully we can expect a blu-ray release soon…

So did having the sharks doing their thing right next door distract as much as say some idiot’s mobile phone going off in a regular cinema? Not really. I’m not convinced they were too interested in what we were up to and even Robert Shaw’s demise met no sly winks of approval, but the few times I was aware of the other humans around me it was nice to note that the reappearance of Ben Gardner still causes people to jump and that the beautiful character study of three men on a boat still elicits a warm response.

In fact it’s a credit to the film that even after 35 (!) years and multiple viewings that the only eyes not glued to the screen were the cold dark ones on the other side of the tank…

Connecting

Bernard Cribbins has been a part of my life since I was a kid. He probably had more influence over me than my parents when I was growing up and hearing his voice or catching an old movie of his makes me break out into a grin. I’ve never been able to work out exactly why this is, but it turns out Bernard knows. He’s a smart guy. But I’ll get to that.

He recently received a BAFTA Special Award in recognition for his work in children’s entertainment. You can see clips from this strand of his career and interviews from the night here.

“I’m 80 years old now, it’s just a question of how much longer I can carry on and how much longer people will want my services. But they still seem to,” he chuckles, “so that’s alright.”

As a follow up to the BAFTA awards ceremony a more public event was organised at the BFI last weekend and I was lucky enough to be invited along. It was great to see so many young children there and of course Bernard’s recent turn as Wilfred Mott in Doctor Who has introduced him to a new generation of fans. The Q&A was followed by a screening of the 1966 movie, Dalek’s Invasion Earth 2150 in which Cribbins plays another TARDIS companion, police constable Tom Campbell. But of course the main reason for most people to be there was to hear him speak of a career that started when he was just 14 years old.

We were treated to an 8 minute video that showed a fraction of the roles he’s played over the years before he walked on stage saying, “My God, I was busy…”

He’s still a wonderful speaker and was happy to tease his interviewer and concentrate on the audience. It was one of those rare events where the crowd got to ask the majority of the questions and each one lead to a funny or moving anecdote. A young girl a few rows ahead of me asked him in a very serious voice how he had felt upon discovering that he was responsible for the Doctor’s death in the recent Christmas special. Brilliant.

He answered my own question as to why it seems he, rather than so many other actors of his generation of whom I’m also a fan, had such an impact on me as a kid. He recalled being in the back of a cab on his way to the BBC and chatting to the driver when the long running children’s show, Jackanory, came up in conversation. Bernard actually holds the record for reading more stories on the show than anyone else, a staggering 111 appearances. In a very matter of fact way, as if it was not a big deal at all, the man revealed to Bernard that it was watching him read to him on the television that made him decide to learn to read.

Incredible stuff storytelling.

Bernard went on to praise the simplicity of the concept: a couple of cameras, a good story, simple but beautiful illustrations and the reader. What this meant to him – and this was the revelation for me – is that he was reaching out to each child individually in much the same way that would happen when a parent read to their child before bed. No unnecessary bells and whistles, no special effects. One story. One reader and one listener. Life changing stuff. And from the smiles in the audience of kids and adults alike he’s still connecting.

I didn’t like much of the new Doctor Who. Parts of it were utterly brilliant, but for the most part I thought it was dreadful and at worst actually treated the audience with contempt. All the worst parts of the new run seemed to have been brought front and centre for David Tennant’s swan song, but in the middle of this unholy mess was Bernard Cribbins. Inspired casting – although as it turns out his continued role was more chance than intentional – and two scenes stand out. One is when the old man finds himself in orbit and points out far below where he fought in the war (an actual anecdote of Bernard’s that was woven into the script) and then later when Wilfred knocks four times to bring the Doctor’s attention to his latest predicament*.

The emotional charge that Cribbins brought to those scenes comes from not just a lifetime of acting, but also taking the parts seriously. It’s something you can see throughout his career and he’s been in some truly bizarre roles, but he tackles each one as seriously as Shakespeare. Known as a comic actor he’s actually got one of the most varied bodies of work I’ve seen and I’m slowly but surely tracking the roles down.

I’ve seen a lot of Bernard Cribbins, but thanks to BAFTA I think my favourite moment of his now is watching him leave the stage and join his family to watch a movie he hadn’t seen himself in decades.

Time travel, right there in front of me. Pretty damn perfect I think.

*Of course, a moment later the scene goes to hell when Tenant’s Doctor cowardly complains about his fate. Tenant’s done some wonderful things with lackluster scripts, but its this fatal misunderstanding of the character by the new writers that made me wish the damn franchise had been left well alone. But I digress.

Bunny & The Bull Free Screening

SOLD OUT – if I have any dropouts or manage to scare up some extra places I’ll let you know. Keep an eye on Twitter: @sizemore

I’ve been asked to get a few people together for a FREE screening of BUNNY AND THE BULL this Friday (6th November) around 6.30 in central London. I’ll confirm the venue later.

All you really need to know is that it’s from the director of THE MIGHTY BOOSH. I haven’t seen it yet myself, but people tell me it’s a lot of fun.

An extraordinary visual feast from the director of THE MIGHTY BOOSH, featuring the crème-de-la- crème of British comedy talent, including Noel Fielding, Julian Barrett and Richard Ayoade, BUNNY AND THE BULL follows Stephen (Ed Hogg), a heartbroken recluse who finds his mind hurtling back to a disastrous treck around Europe he took with his best friend, Bunny (Simon Farnaby), a dissolute gambling addict, as they embark on an extraordinary odyssey where his imagination is the only limit.

Journeying from the industrial wastelands of Silesia to the ball fields of Andalusia, their adventures bring them into contact with Hungarian dog enthusiast (Julian Barratt), a moustachioed matador (Noel Fielding) and a hot-tempered crab waitress (Veronica Echegui) who soon tests how far their friendship really goes.

Here’s the trailer:

And a scene from the movie:

I have 25 or so seats to fill so drop me an email: mikesizemore@gmail.com

First come first served I’m afraid, but please only get in touch if you’re sure you can make it.

Any drop outs will be abandoned on the TUNDRA. Cheers!

UPDATE: The director, Paul King, will be coming along on Friday to introduce the movie!

Set Visit 1979

Speaking of those two:

Didn’t get better than that did it?

I have a few of these kinds of things squirreled away for my talk in June. Not sure how long I have yet, but I will be talking about how Twitter (and the platforms that work so well with it) allow you to pull a few barriers down without the aid of Palitoy.

And speaking of set visits, following my day with Centurion, I just got invited to meet Hideo Nakata on the set of his new movie. More about that later…

“We have no story, no script, no idea…”

One of the odder things I’ve been involved in recently was a Q&A session with JJ Abrams, Chris Pine and Zachary Quinto about the new Star Trek movie. It all took place in Playstation Home:

It’s life, Jim, but not as we know it

PPC Interactive and @danlight in particular love having a bash at stuff like this. I found it surprisingly similar to the last thing I did with Reuters (perhaps the first time Robert Zoellick, President of the World Bank, will be compared with Captain Kirk). We used a mix of platforms again, and in retrospect I’m not sure that CoverItLive, UStream and Twitter were the best way to interact with something like Home, but it was a fun learning experience for me.

Funnily enough I was playing with some new software today that should make these kinds of events a lot easier to produce and up the interactive element. Will post about that later when it’s ready to launch.

Tech stuff aside though, this was all about the people and while it took a little while for the journalists to acclimatise and find their virtual legs, the director and actors were happy with what was going on and got it immediately – those around them perhaps less so (which is fairly typical) – but I think there is something here to build on.

Looking forward to see how far we’ve come by the time Star Trek II is upon us…

The 140 Characters Conference

Jeff Pulver has kindly asked me to speak at the #140Conf in New York in June.

I’ll be speaking about some of the stuff that Twitter has allowed me to do over the last 12 months or so and learning what a whole bunch of other interesting folk have been using it for. I’m hoping to get a better overview of the possibilities that such  a disruptive platform offers and not make too much of an arse of myself.

I’ll also probably talk about some of the people Twitter has helped me work with:

Top image: Sylvester and Tweetie by James Cauty

Bottom image: Steven Spielberg by me.

Thomson Reuters Part II

About two months ago Christian and I were invited into Thomson Reuters to help cover a Newsmaker event with Gordon Brown – it turned out to be a pretty big deal. Tomorrow we’re back at Canary Wharf for a similar event:

So yeah, this time out it’ll be David Cameron taking the podium. Christian has already mentioned that the Conservatives have taken the lead here when it comes to social media, which is fascinating when you consider how the Obama campaign recently spread itself equally across old and new media to get its message of change across. Politically I’m way too far over to the left to consider Cameron a good choice for PM (not that I’m a fan of Blair and Brown either – such a shame we lost John Smith) but I am interested in how huge institutions, used to playing on their own terms, adapt and evolve when confronted with the new.

I’d love to find out how stuff like this goes down with them too:

There was an interesting mess recently when it was revealed that the Twitter user ‘Tony Benn‘ wasn’t in fact Tony Benn at all. Jemima over at the Guardian covered the hoo-ha here. Significantly the account was given over to the real Tony Benn’s office after the intervention of Twitter users as well. A brilliant example of self policing I think – as opposed to the fuck up that is the FaceBook (spit) policy of insisting that everyone use their ‘real’ name in the first place.

So what can we expect tomorrow? I have no idea. We went into the Gordon Brown event hoping for some one-on-one time, but everything was pushed back an hour and that put an end to that idea. We’re assured that David Cameron will be taking questions following his speech not only from the journalists in the room, but also from Twitter. We’ll see if we can push that particular envelope and this time out we have both Phil Campbell and Nik Butler on board to help. I won’t get into the pissing contest over Le Web that others are involved in, but I can certainly say that watching the event remotely via Phil’s Rezpondr vastly improved the experience over simply watching the often dull talks on stage. Nik has also been busy creating a new Twitter application (Tweetarator) and we should be using both of these tomorrow.

Lots of Twittering then, some photos and video too. Can’t guarantee how much of everything that goes in will be seen by the politicians. but I do know that as last time Reuters will be watching the response very carefully. Do try and join if you get the chance.

Politics aside then the important thing to recognise here is what an incredibly interesting choice Reuters have made in setting these opportunities up.

As I said last time – I’m not a journalist. That hasn’t changed so why do Reuters think it’s a good idea to let us into these things? There’s a reputation stake here – most of the big news agencies now have a toe in the social media water (or are chugging down the kool-aid if you think this is all rather insignificant). Reuters pride themselves on being cutting edge and I know @ilicco is full of stories that point this out (my own favourite being how a Reuters reporter got a story back home via an N95 after his equipment had been destroyed by armed rebels out in Africa). That sounds like the kind of thing that Christian himself used to get up to and his online reputation as a social media expert is secure. I prefer to think of him as an adventurer – it’s good that he now gets the chance to speak directly to organisations about what he does, but it’s a lot more fun watching him out in the field.

Last time out I got branded as a social media guru by Reuters and that’s the only false step they made. It’s not a bad thing for my profile of course, but the reality here is that I’m trying to pull down badges like that for the same reason I despise the term ‘rock star’ on Twitter. That’s not to say we’re not all redefining our roles via these applications.

I attended an event at De Montfort University a few months ago in which Andrea Savieri from The Institute for the Future gave a presentation on the way work was evolving and she had a bash at predicting some of of the roles that would come into being (I videoed the talk and should ask her if it’s OK to post it online). The point is that we’re all pioneers right now. It’s as difficult for me to pigeonhole what I do as it is for others to name it. That’s why I tend to go with the classic catch-all of writer (it’s when I get asked what I write that I get a headache).

If we’re not actively trying to change things ourselves then we’re still having them change around us. If adaptation is the name of the game then Reuters are very good at it. Not everyone we spoke to internally understood why we’d been asked in, but everyone seemed excited at doing something in a new way. In turn we got to see first hand how an international news institution gets into gear for such an event. Hopefully with less of a security aspect tomorrow (which is why we’re able to talk about it in advance) we can show more of what goes on away from the podium.

Adding social media to the mix then adds a certain value to what was already an interesting event. It doesn’t have to be news based of course. If you think about the fun I’ve had with film promotion it always boils down to an attempt to remove some barriers. More of this sort of thing to come (perhaps as soon as Thursday) and perhaps a chance to get an even closer look at one of the big news agencies in 2009. I’ll keep you posted.

The Quiet Man

Ah, Joanne if only that were true.

I think this counts as my first day back in the UK feeling close to human. Combination of jet lag and jet lurgy has kept me in a kind of dull stupor that also ran through yesterday’s conference call. Thankfully I didn’t have much to add to the conversation aside from how incredibly pleased I’ve been while watching everyone pull together on Amplified08. I did some of the initial groundwork getting the thing going and a tiny amount of admin, but then people like Joanne jumped in and just ran with it.

The timing couldn’t have been better as being out in California (part vacation part working on something else*) meant I couldn’t do an awful lot. In fact I’m still sorting through all the email that Amp08 generated while I was away. I’ll be dealing with that today and getting at least one new post up on the blog after I’ve caught up with all the new stuff on the wiki

Only a few days to go and we can start planning the first Amplified09 session. February is looking good I think.

And I’m now feeling much less likely to fall asleep on my feet. Amazing what a 12 hour nap can do...

*see next post

One door closes…

It was our last Tuttle on Greek Street on Friday.

Quite a turn out plus we had cake and champers. I got the impression that the excitement about a move to the ICA outweighed any sadness at leaving our old quirky venue.

Do come along this Friday of you can. The sign up wiki is here.

And If you missed it last week then here are some bits and bobs from the morning including some excellent ukulele playing from Lloyd:

That should also give you an idea of the Flip Mino’s quality.

Tuttle Evolution

Lloyd has slapped the official post up on the Tuttle blog so now I can talk a little more about moving the Social Media Cafe (aka The Tuttle* Club) from it’s current home at the Coach and Horses on Greek Street to that other London institution, the ICA.

This is a big deal.

First though a reminder that we’re not leaving the Coach & Horses behind entirely. I found it via Hugh and Lee and then almost a year ago with Dean threw the first London Seesmic party there with Loic, Vinvin and co. I have every intention to continue my patronage and am happy to see other geeks use it on a semi-regular basis outside of the Tuttle for mini meet-ups. Alastair and his staff offer a very unique atmosphere and it’s quite simply one of my favourite venues in London. We’re not finished with it yet.

But the Tuttle club has also grown in that time. I put the success down not only to Lloyd‘s hard work and the brilliant people who make up the regulars, but also the fact that we never imposed any rules on the beast. In a very similar way that Twitter has succeeded by asking one simple question that invites a multitude of different replies, the Tuttle succeeds through simplicity: come along and talk about whatever you like.

I think this is why far more than any other event that I attend it’s the Tuttle that has the widest cross-section of attendees. Just last Friday I started the day talking to an artist about the possibility of embedding RFID tags into clay, moved over to a TV presenter who wanted the creative freedom offered by new media and finished as usual watching Whatley perform mobile-surgery on someone’s N95. Each and every Friday morning I never know who I’m going to meet or what I’m going to end up talking about, but I always come away with a sense that I learned something and helped other people out.

So in less than a year we’ve garnered a great reputation and Tuttle has become an accidental brand and a verb. There are Tuttles now in Birmimngham and Brighton with others planned and Social Media Cafes running in the States. People come to us from far and wide and we have yet to have the exact same group turn up twice. There’s always someone new.

Which brings us to the ICA. We’re honoured that it was the Institute of Contemporary Arts that reached out to us. As Lloyd points out, this was all down to Tuttle regular Whatley and Spinvox‘s James Scroggs who was kind enough to do the introductions for us after running a great bolt-on at the Tuttle earlier in the year. We had a meeting last week just prior to the Twestival and confirmed the move with Nicole Elias, the Biz Dev Director at the Institute.

That meeting went better than we could have possibly hoped for. Because the ICA only opens its doors to the public at 11am, we’re being allowed earlier access than normal. The cafe will be up and running with coffee, tea and breakfast nibbles. The knock on from all this hospitality is that we can now start talking about working in conjunction with the ICA to utilise not only their facilities, but also to mix with their members and the intensely creative people passing through their doors each day. We’ve already begun to talk about possible projects, but I feel the best way to proceed is get settled in with business as usual and then hold a bolt-on where Tuttlers and the ICA can swap ideas and discuss how we move things forward.

When I first came to London the ICA was one of the places that I was instinctively drawn to. Aside from my own interest in film and the wider arts, they’ve always been keen to host technological events and it’s a dream come true to be a part of the ICA’s future as they continue to celebrate 60 years of activity.

Of course, this will be a change for the Tuttle, but now that we can begin taking the stuff we talk about each week and give it a stage (quite literally in some cases) the scope for the next year is pretty incredible. I’m hoping the transition will be as painless as possible, but if there are any fears that need addressing or questions to raise then please have-to in the comments or come along to our final Tuttle at the C&H on the morning of the 3rd of October and bend my ear accordingly.

And most important of all, please come along to the launch proper of Phase II on Friday October 10th at 10am.

We’re gonna have some fun…

*Note on the image: Tuttle/Turtle/Whatever

Twestival

After hosting some smaller scale Tweetups myself I was very interested to see how last night’s Twestival was going to go. These things can get worryingly complicated, but I’m happy to say that despite an initial bout of confusion (over whether the venue was going to enforce its ridiculous dress code) the whole thing seemed to go off without a hitch.

I’m a little hoarse this morning from having one too many conversations over the ‘music’, but the free beer, wine and grub made up for that. Hell, I even won a raffle prize and did a little jig with a cute girl to Ben‘s crowd rousing Twitter song.

As with all social media events though, the emphasis for me was the people – catching up with a few familiar faces and finally meeting some fine Twitter folk for the first time. In that respect the event worked really well and I had a much better time than at the Moo bash a few months back. There was a real sense of moving out of the echo chamber and it was a relief to see and meet so many people that I’ve never crossed paths with before. I had a lot of conversations that I’ll follow up on this week so some interesting stuff should come out of the evening.

I also got the occasional nod about some of the cool stuff I’ve been involved with over the last 12 months – and each time it was my great pleasure to remind everyone that everything from the film screenings to hanging with Han Solo started at events just like this one and through working with people that I’ve met almost exclusively through social media.

Amanda and the Twestival team did some sterling work last night and I’d certainly love to see the Twestival become an annual fixture on the London events calendar.

Speaking of events… I’m off to the Tuttle soon. We’re announcing some big news there this morning, but I’ll be writing about that later…

Turn the Page

Someone Once Told Mario

Last Wednesday was what felt like the beginning of a new season of Creative Coffee Club. While the Leicester branch closed over the summer, our regular London meet-up has kept ticking over, but with a skeleton crew. I didn’t make them all myself and on a couple of occasions we were down to just two or three attendees, but that hardly mattered as the quality of conversation was always top notch. Everything from artificial intelligence to insider’s views on the film and music industry, more often than not with a social media application or solution.

Two weeks ago we tried something a little different by offering up a theme in advance. Normally a couple of topics naturally surface and we chew them over, but having a little more direction helped to get us under steam a little earlier. I really enjoyed that discussion (despite arriving late) as The Future of Television is something I’m particularly interested in right now. The nice thing about the people who are drawn to both the CCC and SMC are that they are not merely commentators – more than once a laptop is pulled out and we get to see how people are doing their bit to shape the future of something.

This week the numbers swelled back to their pre summer heights (no pun intended) and the proposed topic went out the window as the large group splintered off. I maybe got to speak to half the people present which is a good sign. At the Tuttle on Fridays I speak to a lot less than that – the busier the better in my book. Both the Social Media Cafe and the Creative Coffee Club are the healthiest regular events that I attend. By  healthy I don’t mean that they’re just well attended, notably they also attract new blood so are never in danger of getting stale. Fresh views and opinions also help prevent an echo chamber from forming, while constantly explaining to new faces why it is we gather and what we do there helps to keep these events in focus.

New to the group last week was Mario Cacciottolo from Someone Once Told Me. Make with the clicky on that link today and you’ll see my ugly mug. Don’t panic though, there’s a new photo every day so I’ll soon get shuffled backwards. Mario also snapped off a few more Creative Coffee types including Lloyd and Steve and as Mario is very keen to see the project thrive independently of him, I’m hoping to rope in a few more Tuttlers to take part too. All you need is a camera and a sentence…

Tomorrow sees CCC Leicester waking up so I’m getting an early train to take part in that too. With new Social Media Cafes popping up in the UK and the US it looks like the next few months are going to be a lot of fun. It’d be nice to keep an eye on all these seperate events because despite the division geographically I’m pretty confident that some of the topics, and perhaps members, will overlap.

I’m thinking a lot right now about how we can move the conversations to another level. I love the coffee and the chat, but it’d be nice to see if we can make a few things happen. Be a shame to waste the ideas that flow across the venues as the people that gather in them are way smarter than me. I think we are making small steps in that direction already and I have just one more meeting with Lloyd to confirm that the Tuttle will enter stage 2 on October 10th. Not a massive transition, but something akin to having the stabilisers removed from the social media bicycle.

This is a great time to dip your toes into this particular pool if you haven’t already. Come along to a Creative Coffee or Tuttle meeting – if we’re too far afield from you or the weekday early mornings or a stretch then start your own. On Thursday evening I’ll be at the Twestival (great idea, horrible name) so feel free to bend my ear on some of this or if the music is too loud we can just make frantic hand gestures at each other across the room…

Had no idea what to call this post and then iTunes coughed up Turn The Page by Bob Seger. Great song – Metallica covered it on Garage, Inc but with a lot less saxamaphone.

City of Men Screening

As I mentioned in a couple of places yesterday I’m organising a City of Men screening with Dan. We have around 25 seats and it’ll be next Thursday in Soho. 6pm for a 6.30 start. Probably free drinks for those that get there early and we’ll certainly be retiring to a pub afterwards.

I haven’t seen the film myself yet, but it’s based on the TV series of the same name which was a follow up to City of God. Here’s the Wikipedia synopsis:

Best friends Acerola and Laranjinha live in the favelas of Rio de Janeiro, and have been raised without their fathers. They are turning eighteen as a war between rival drug gangs begins around them. Each discovers things about his missing father that will compromise their solid friendship.

If you fancy it then drop me an email: mikesizemore @ gmail . com.

I’ll also have more details tomorrow if you swing by the The Tuttle Club.

Oh and we’re hoping this will be the first of many. Been a while since I did the Sarah Marshall and Juno screenings so want to make these semi regular if possible…

Limbo

Jess and one of the cats conspired to pour herbal tea into my Macbook and the soggy fuck has been in the bowels of the Apple Store now for over a week.

This displeases me muchly.

I’m been hovering between Jess’ Macbook (which hates me) and my battered old Alienware (which overheats like Angelina Jolie in an orphanage), but mostly I’ve been out of the loop and scribbling more on paper. Some of that I’ll transfer here via Spinvox. Some of that I’ll undoubtedly pick up a year from now and go ‘huh?’

Last week I attended a talk at the Institute of Creative Technologies at De Montfort University in Leicester given by Andrea Saveri which really had my head spinning. More on that later. Friday was another great Tuttle – fallout from the Seesmic/Phreadz fallout (storm in a teacup), a LOT of people to catch up with and nicely rounded off by Toby and DT discussing the Cool Curve.

All this stuff is slowly coming together… now I just need my Macbook back.

The photo is Jess showing off her old school geek credentials…

Handy little bastard

A couple of weeks after mentioning The Flip I finally got my grubby little hands on one. I went to the European launch this evening and came out with one for free (and a lot of beer mats). Nice little event. No hard sell, great venue (The Soho Hotel) and free food and drink. I would have been impressed if they hadn’t thrown free cameras at everyone…

I did a short(ish) unboxing video:

And had a conversation about the thing on Seesmic and Twitter. I also threw some FLIP video up on YouTube. You can see it here, but the built in software (and by built in I actually mean built into the device which is handy) seems to have over compressed the video. The sound especially is weird. I just reviewed the raw file in fullscreen and its actually very impressive considering the price of the camera.

I’ll take it along to tomorrow’s Tuttle if anyone wants to have a play with it.

I’ll be writing more about it and have some very particular ideas in mind in how to use it, but for now I need a coffee and am weirded out by using a white Macbook (mine is in for repair at the Apple store).

Once I get all my kit back I’ll really put the thing through its paces, but for now I’m quietly impressed.

Handy little bastard indeed.

Indy Irregulars

Media hub with foothold

We’re here as part of the regular press junket for Indiana Jones and The Kingdom of the Crystal Skull. What we’re doing is anything but regular.

The talent for any movie is usually moved through a series of set interviews with old media journos. Jumping from room to room and between worldwide print and TV press.

We’re aiming to open that up somewhat.

But even a regular junket is akin to a living breathing animal and it lives on compromise.

We’ll see what happens around 10.30am GMT I guess.

Gotta go set up…