
The quotes in the last post were moved from the book I read them in to the blog via Spinvox. I’ve been using the service for a little while now and have really grown to like the memo feature. The only problem is that I despise the idea of sending myself a memo so have renamed it the Speaking into the Future application.
It works best if you say it out loud, Futurama style.
Yesterday, because I was on the couch with a glass of wine, it was far easier to pick up my phone and dictate the quotes to Spinvox (which after a shaky start seems to have grasped my dodgy accent) and then pick them up from my in-box once I’d crawled back to the desk. Spinvox does have a direct to blog application I believe, but I’ve steered clear of it so far because (Twitter aside) I prefer the stuff that lands on the Interweb with my name attached to be a little more measured. That’s the reason I have yet to play much with Qik.
The nice thing about this stuff landing in g-mail is that it gets indexed and becomes searchable, but I can also tag and then delay using it. Right now I have a bunch of stuff that I’ve Spinvoxed to myself while waiting to meet people outside train stations or lying in bed unable to sleep or simply in order to save myself from a charity mugging. This babble arrives, gets labeled accordingly and some of it is archived for much later consideration - hence the Speaking into the Future part of it.
One of my favourite sequences in film EVER is in Orson Welle’s F for Fake. Put together in 1975 the film has a lot going on it (including Welles mentioning that his infamous radio broadcast of War of the Worlds may have been something else entirely). The sequence I’m continually drawn to features Welles being interviewed. This is an old, slightly bitter and pretty much exiled Welles - overweight, past his prime and disappointed. The brash young man conducting the interview is the exact opposite - young, slim and giddy with the potential of the life in front of him. At the top of his game as a praised and vibrant new voice he sees the interview as nothing more than a chance at experimentation. He shows little sympathy or regard for his subject.
What makes the interview utterly riveting is that the interviewer and interviewee are one and the same.
Welles as a young man recorded his half of the interview, directing all his questions at a future version of ‘Mr Welles’, and then placed the film in his archive for decades. Welles as a much older man indulges his younger self in a way that he wouldn’t anyone else and the results are moving, funny and tinged with sadness.
Soon after I saw this for the first time I began leaving messages and questions for myself in notebooks. Then one summer I got back from university and found my mother had cleaned out my room and thrown just about all my belongings away.
My mum was kind of a dick.
I still tend to flip to the back of new diaries and jot down a ‘How’s such and such going?’. Usually by the end of the year I have to flip back to January to remind myself what such and such was. But I really do think that Spinvox are onto something here.
It also makes me wonder if any of the real vloggers out there are interested in playing the long game.
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