Saw The Dark Knight. Moments of brilliance (mostly due to Ledger), but a horribly mixed bag of tricks overall. Not a patch on Iron Man despite all the fan boy genuflecting. Will have more to say on it after I’ve seen the IMAX version - couple of things I wanna clarify with a second screening - but in the meantime this kinda sums up the faults that in retrospect were right there in the trailer:
Which kid is having the most fun? Batkid or the one with lollipops and knives?
Thankfully Nolan recognises what a knob Batman is and keeps him off screen for most of the movie. Having Bale rasp his lines in that ridiculous get up for the first time on set must have lead to a similar revelation as Spielberg’s when he realised that Bruce wasn’t going to float…
I’ve always been very vocal about my feelings towards Facebook even at times when I’ve been in danger of adopting the Kevin “I never knew fear until I kissed Becky” McCarthy plan of running into oncoming traffic. But I did enjoy the Facebook News Feed Edition of Hamlet by Sarah Schmelling:
Polonius says Hamlet’s crazy … crazy in love!
Rosencrantz, Guildenstern, and Hamlet are now friends.
Hamlet wonders if he should continue to exist. Or not.
Hamlet thinks Ophelia might be happier in a convent.
Ophelia removed “moody princes” from her interests.
Hamlet posted an event: A Play That’s Totally Fictional and In No Way About My Family
The king commented on Hamlet’s play: “What is wrong with you?”
Polonius thinks this curtain looks like a good thing to hide behind.
Polonius is no longer online.
Looking for a David Warner as Hamlet pic lead me to the Canadian Adaptations of Shakespeare Project. Man, I love the Internet. So now we have Philip as Hamlet and a bonus link to Canadian Shakespeareans in Space which has this revealing quote from the original Adama, Lorne Greene, about his role in Bonanza:
“They told me that they wanted a new series, a one-hour weekly western. They wanted it to have a strong father-and-son relationship because they were concerned that American soldiers’ defections in Korea had been traced by some psychologists to Momism, the strong identity of U.S. kids with their mothers. Also, they were sick of American movies in which fathers were depicted as bumbling dolts.”
You learn something new every day. Or to put it another way: There are more things in heaven and earth, Horatio…
I sometimes forget about the stuff I’ve written and it takes something to pop up in my G Reader to remind me. Like this lengthy interview here with Shepard Fairey. I reviewed his last London exhibition for ICON magazine ages ago, but because it’s classic media it took a while to make it online and then I forgot all about it. Just dug out the link. I also took a lot of photos:
Probably some video on one of my hard drives too. That’s a job for another day. Also noticed that it’s been over a month since I uploaded anything to Flickr :/
That means I’ll have over a month’s worth of photos to sort out tomorrow on the train…
Brilliant video, brilliant music and something a little special. Not quite a sequel to John Carpenter’s The Thing, but far better than a simple homage:
Or How YouTube got its groove back (for me anyway).
These days I jump from one video platform to another and because it was Seesmic that first wooed me to the possibility of online video I’ve tended to ignore YouTube. I’ve just become convinced that this was a mistake. I did have a little alarm bell go off a while ago when I found out about this project to use a community to make a zombie movie. YouTube having a community was news to me. All I ever saw were a handful of good videos, a lot of mess and a truly anti-community inspired comment fueled torrent of badly spelled abuse. And yet here was Bryony tapping into her community on YouTube. I had to wait for Seesmic to come along and get in there early to find something similar.
One of several videos that I did first appreciate through YouTube was The Machine is Us/ing Us. I’ve been following Mike Wesch’s work since, as it taps into the reading I’ve been doing around Ken Robinson (I never bother linking directly to Ken Robinson’s website because ironically it’s hideous and a pain to use), the Network of Networks I’m involved with, the Cool Curve and a small large stack of notes I’ve been making. Today I saw a new video go up on the Digital Ethnography website and it’s a keeper.
It’s not short though. In fact it’s almost an hour long, but trust me. If you only watch one thing today watch An Anthropological Introduction to YouTube. Don’t be put off by the length or title. It’s important, funny and heart warming.
It covers the impact of YouTube and the importance of how we connect, the importance of Creative Commons and self generated organisation as the new model for a distribution network that we’ve created.
It also points out how all that money ($3.6 million) spent on Super Bowl ads was beaten by a guy in his basement in Kansas collaborating with another guy on the Ivory Coast for no money at all. This I think is key to what everyone involved in Web 2.0/New Media/Social Media is attempting to do. It’s not rocket science, it’s simply bringing the right people together at the right time regardless of geogrpahy and timezones, ignoring the traditional routes which usually hemorrhage money.
Mike defines media as the mediating of human relationships and that line alone made me happy to be working in this field. That he went on to talk about networked individualism and the importance of the invisible audience leading to context collapse was just gravy. This is really important observational work into a medium that is largely ignored, treated like traditional TV or just ripped off my marketeers.
Mike understands and more importantly manages to reveal the paradox that with online video everybody is watching at the same time that nobody is there, that the most private becomes the most public and how wonderful that can be. He also offers a very concise explanation of the ‘go die in a fire’ comment storms that put so many people off YouTube.
And despite the length and that this could have been a very traditional style TED conference video, Mike roped in his students and broke the talk up into endearing but important work culled from YouTube itself (and he even finds a way to allow his students some fun, extra credit and thanks).
I decided to forgo the PowerPoint and instead worked with students to prepare over 40 minutes of video for the 55 minute presentation. This is the result:
I love the tiny window this gives you. It’s still not quite the video equivalent of Twitter, but it could get there once people find a way to @ one another and follow the conversations. Not that I think that’s a priority. Right now it’s just fun to see what can be achieved in such a confined space. Christian as always is way out ahead:
When I logged on for the first time it was a little like a video conversation yearbook. All the familiar faces where there already. I noticed that while most people were faltering with the built in limitations of the platform Christian was already on his 8th page of videos! I mentioned this to Jess and her reply was:
He’s like Monkey: irrepressible!
It’s not a bad comparison. He’s a little wayward at times, but makes for an excellent ambassador. If I was starting any video related platform I’d ensure he had an invite from day one. He brings an audience and certainly puts a new place through its paces.
Introduces two characters you really care about in its tiny running time (something most 2 hour movies neglect) and fills in just enough backstory to flesh out the characters while also pushing the action forward.
It stars kids that can actually act, surprised the fuck out of me and made me want to see more.
12 minutes long.
Mia Wasikowska who plays Sarah Jane will be Alice in Tim Burton’s new Wonderland movie. Maybe she can introduce him to Spenser Susser. I know which director I’m more excited about.
Had a lot of questions about the new theme so here are a few answers.
It’s a variation on a pro theme called Sketch’d. I say variation when I actually mean ‘broken’. Straight out of the box the theme does some very nifty stuff that creates a blog somewhere between the traditional kind and more magazine-style blogs that seem to be in vogue just now. Being old fashioned and a moron I took it apart, snapped off the cool bits and kind of blu-tacked it together again.
All the bleeding and badly stitched code is down to me and not the guys who built it.
It’s the first WP theme I’ve paid money for after years of swapping out and tinkering with some very cool free ones. The inspiration came from Christian. It just never occurred to me to pay for something until he did. I’m easily lead.
I’m not sure what the blog is called anymore. It’s been Visible Monsters for the longest time (but I’ve also got that space to do something with at some point). I guess Sizemore covers it for now. I have older posts, not archived here, that date back to 2002. I’m still mulling over whether it’s worth importing all that stuff here.
The line I’m not a field agent, I read books is from one of the best movies of the 70’s: Three Days of the Condor. It’s been a tag-line here for a while, ever since Saying The Wrong Thing Since 1972 picked up a life of its own out in the real world.
The Hunter S Thompson quote is from a letter he wrote to Keith Stroup about the lawyers who got him out of some jams back in the 90’s. It’s republished in Gonzo Papers, Vol. 3: Songs of the Doomed: More Notes on the Death of the American Dream. It just jumped out at me as something important given the social media world I now find myself a part of. I’ll be writing about that gang aspect quite a bit I expect.
The line This won’t hurt is the final line of Hunter’s suicide note. It’s something I aim to do something else with too.
Categories need an overhaul as does most of the sidebar content. I’ll get to that. Also gonna have a few standalone pages built under those tabs at the top and yeah the About page is also out of date. The fact that Max Rockatansky is looking after my 404 page makes up for this.
And then there’s the bunny. Go track down Pani Poni Dash.
